Saturday, January 4, 2014
Breath Taking Dress : The Iconic "Marilyn Monroe's Floaty White Halterneck Dress"
Marilyn Monroe "The Seven Year Itch's Dress "
The dress is a light-colored ivory cocktail dress in a style which was in vogue in the 1950s and 1960s. The halter-like bodice has a plunging neckline and is made of two pieces of softly pleated fabric that come together behind the neck, leaving the wearer's arms, shoulders and back bare. The halter is attached to a band situated immediately under the breasts. The dress fits closely from there to the natural waistline. A soft and narrow self belt was wrapped around the torso, criss-crossing in front and then tied into a small neat bow at the waist, at the front on the left side. Below the waistband is a softly pleated skirt which reaches to mid-calf or below the calf length.There is a zipper at the back of the bodice, and tiny buttons at the back of the halter.
Marilyn Monroe wore a white dress in the 1955 film The Seven Year Itch . The dress was created by costume designer William Travilla and was worn in one of the best-known scenes in the movie. The dress is regarded as an icon of film history and the image of Monroe in the white dress standing above a subway grating blowing the dress up has been described as one of the iconic images of the 20th century.
When the costume designer William Travilla, known simply as Travilla, began working with Marilyn Monroe, he had already won an Oscar for his work. In 1955 he designed the white cocktail dress worn by Marilyn Monroe while his wife Dona Drake was on vacation. It remains his most famous work.[3]According to Hollywood Costume: Glamour! Glitter! Romance! by Dale McConathy and Diana Vreeland, Travilla did not design the dress but actually bought it off the rack (although the costume designer always denied this claim).
In the film, the white dress appears in the sequence in which Marilyn Monroe and co-star Tom Ewell exit the Trans-Lux 52nd Street Theatre, then located at 586 Lexington Avenue in Manhattan, having just watched the 1954 horror film Creature from the Black Lagoon.
When they hear a subway train passing below the grate in the sidewalk, Monroe's character steps onto the grate saying "Ooo, do you feel the breeze from the subway?", as the wind blows the dress up exposing her legs. Originally the scene had been scheduled to shoot on the street outside the Trans-Lux at 1:00 am on 15 September 1954.
However, the presence of the actress and the movie cameras caught the curiosity of hundreds of fans, so the director Billy Wilder was forced to reshoot the moment on a set at 20th Century Fox.
After Monroe's death in 1962, Travilla kept the dress locked up with many of the costumes he had made over the years for the actress, to the point that for years there was talk of a "Lost Collection". Only after his own death in 1990, were the clothes put on display by Bill Sarris, a colleague of Travilla. It joined the private collection of Hollywood memorabilia owned by Debbie Reynolds at the Hollywood Motion Picture Museum. During an interview with Oprah Winfrey, speaking of the Monroe dress, Reynolds stated that "[the dress] has become ecru because as you know it is very very old now."
In 2011, however, Reynolds announced that she would sell the entire collection at an auction, to be held in stages, the first on 18 June 2011. Before the auction, it was estimated that the dress would sell for a price between $1 and 2 million, but it actually sold for more than $5.6 million ($4.6 million plus a $1 million commission).
Monroe's husband at the time the movie was filmed, Joe DiMaggio, is said to have "hated" the dress, but it is a popular element of Monroe's legacy. In the years following Monroe's death, images of her wearing the white dress were shown in many of the imitations, representations, and posthumous depictions of the actress.
Not without a distinct ring of irony, the 9-month-old Marilyn Monroe-Joe DiMaggio marriage officially ended during this shoot.
The movie's poster was as #22 of "The 25 Best Movie Posters Ever" by Premiere.
Quote Of The Day !
"A dress makes no sense unless it inspires men to take it off of you." _Françoise Sagan
Friday, January 3, 2014
Million Dollar Dress : The Iconic " Audrey Hepburn's Little Black Dress"
Audrey Hepburn"Breakfast At Tiffany's dress "
In the early morning an elegant Holly Golightly emerges from a New York taxi wearing a sleeveless, black satin, floor-length Givenchy cocktail gown. She eats a pastry, drinks her coffee and gazes dreamingly through the window of Fifth Avenue’s Tiffany & Co, fashion history is made.In Breakfast at Tiffany’s, Audrey Hepburn wears what would become perhaps the most famous little black dress of all time.
The black Givenchy dress of Audrey Hepburn is a little black dress designed by Hubert de Givenchy and worn by Audrey Hepburn in the opening of the 1961 romantic comedy film Breakfast at Tiffany's . The dress is cited as one of the most iconic items of clothing in the history of the twentieth century and perhaps the most famous " little black dress " of all time.
Hepburn first met Givenchy in 1953, when the Belgian-born actress described herself as “a skinny little nobody”. They successfully collaborated in Sabrina in 1954 and Funny Face in 1957, but Breakfast at Tiffany’s would prove to be their style masterpiece which would re-define Hollywood chic.
In 1961, Givenchy designed a little black dress for the opening scene of Blake Edwards' romantic comedy, Breakfast at Tiffany's, where Hepburn plays a leading role alongside actor George Peppard. Audrey took two copies of the dress back to Paramount, but the dresses, which revealed a considerable amount of Audrey's leg, were not suitable for the movie and the lower half of the dress was redesigned by Edith Head. The original hand-stitched dress is currently in Givenchy's private archive, whilst one copy Audrey took back to Paramount is on display at The Museum of Film in Madrid and the other was auctioned at Christie's in December 2006.
None of the actual dresses created by Givenchy were used in either the movie or the promotional photography. The movie poster was designed by artist Robert McGinnis and in Sam Wasson's book, Fifth Avenue, 5am, he explains that the photos he based the poster on did not show any leg and he added the leg to make the poster more appealing. The actual dresses used in the movie, created by Edith Head, were destroyed by Head and Hepburn at Western Costume in California after shooting.
The model is a Givenchy black Italian satin sheath evening gown. Christie's describes it as "a sleeveless, floor-length gown with fitted bodice embellished at the back with distinctive cut-out décolleté, the skirt slightly gathered at the waist and slit to the thigh on one side, labelled inside on the waistband Givenchy; accompanied by a pair of black elbow-length gloves". The bodice is slightly open at the back with a neckline that leaves uncovered shoulders. In the film, Audrey Hepburn wears a matching pair of elbow-length gloves the same color and strings of pearls. The look has been described as "ultra-feminine" and "Parisian".
Givenchy not only chose the dress for the character in the film, but also added the right accessories to match the long gown in the form of a pearl choker of many strands, a foot long cigarette holder, a large black hat and opera gloves which not only “visually defined the character but indelibly linked Audrey with her”.
Given her physical assets, she, along with her designer friend Givenchy created a dress to fit her role in the film of a waif. A well chosen black silk dress with appropriate accessories hit the bulls eye to bring out her effervescent personality to the fore; the dark oversized sunglasses completed the ensemble of the little black dress (LBD) which was called “the definitive LBD”. The dress, which outlined her lean shoulder blades, thus became the Hepburn style.
In 2006, Natalie Portman was the lucky girl chosen to wear the original dress for the cover of Harper’s Bazzar Magazine. That’s right, Portman wore the dress that was once worn by the legendary Audrey Hepburn, and she looked just as stunning.
On 5 December 2006, this dress was auctioned at Christie's in London and purchased by an anonymous buyer by telephone. The sale price was estimated by the auction house to have ended somewhere between £50,000 and £70,000, but the final price was £467,200 ($923,187). The money raised in the auction of the black dress ended in helping the poor people of Calcutta to build a school. It so happened that Givenchy, the designer of the dress, had donated the dress to Dominique Lapierre, the author of the book City of Joy, and his wife for raising funds for the charity. When they witnessed such a frenzied auction, the funds raised so astonished Lapierre that he made a very appropriate observation: "I'm absolutely dumbfounded to believe that a piece of cloth which belonged to such a magical actress will now enable me to buy bricks and cement to put the most destitute children in the world into schools." Sarah Hodgson, a film specialist of Christie's said, "This is one of the most famous black dresses in the world—an iconic piece of cinematic history—and we fetched a historic price."
The dress is cited as one of the most iconic of the 20th century and film history. It has been described as "perhaps the most famous little black dress of all time" and exerting a major influence on fashion itself by directly making it popular.
In a survey conducted in 2010 by LOVEFiLM, Hepburn's little black dress was chosen as the best dress ever worn by a woman in a film.
Thursday, January 2, 2014
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